Tumblr is Dead
Friedrich Nietzsche
Tumblr is Dead
Yesterday everything changed. Actually it all happened one day before that. It’s spring and it feels like it. It looks like spring, suddenly overnight. Different people ride the trains and trams, they look lighter. I cook on the concrete outside the station, my boots are getting hot to wear on my feet. The junkies are coming out of their clinic stays for the weather and concrete comfort. It’s spring and it smells like it. I always thought that line from We Looked Like Giants was just a beautifully formed idea but when I step off the human-scent polluted train the breeze blows the sweetest sugary flavours of colourful adjectives adjectives adjectives straight through my nostrils. Sweet flowers perfume everything momentarily while my cynical senses adjust and resign again to experiencing bleakness.
I desire to run so far I lose myself but I know it’s fantasy and this world is so big and nearly too scary. I love my femininity but I hate the fear. Walking the dark section of path home last night, three big men walked by me and as soon as they passed by I fell into a silent state of near hyperventilation. This reaction, for my inability to ignore the reality in that moment that if they had the intention, I’d have no defence and poor recourse. Where lays freedom for women, where in the world do we have a right to be? I wonder what it feels like to travel alone, go wherever you want to go?
By my existence I am nothing more than an empty place, an outline, that is reserved within being in general. Given with it, though, is the duty to fill in this empty place. That is my life.
Klara Lidén (b 1979) ~ “Untitled (Poster Painting)”, 2010. Found and new posters, wheat paste (85 x 65 x 5 cm).
Whenever two people meet, there are really six people present. There is each man as he sees himself, each man as the other person sees him, and each man as he really is.
Analia Saban [Argentina] (b 1980) ~ “Paint Cross Sections (from King Tut to Judy Chicago)”, 2015. Digital prints and color pencil on museum board (185.5 x 249 cm).
Jeroen de Rijke/Willem de Rooij - Bouquet I (2002) (via)
flowers, vase, wooden pedestal, written description, list of flowers
When you don’t know what you’re living for, you don’t care how you live from one day to the next. You’re happy the day has passed and the night has come, and in your sleep you bury the tedious question of what you lived for that day and what you’re going to live for tomorrow.
Jonathan Allmaier, Untitled (6 Double Bumps), 201. Oil on canvas, 41” x 53”
If a writer falls in love with you, you can never die.